Artiste : Bugai Whyoulter (1939)

Titre de l'œuvre : Wantili (near Well 25)

Format : 152 x 106 cm

Provenance et certificat : centre d'art aborigène de Martumili

Référence de cette peinture : 19-708

Demander le prix de l'œuvre / Enquiry

Explications pour cette œuvre :

(As translated by Bugai’s grandson, Cyril Whyoulter) “Bugai always tells about Wantili because she grew up around Wantili. Her family would travel between Wantili, Kaalpa, Juntujuntu, Raarki, and Wuranu Wells along the Canning Stock Route. She paints around Wantili. She saw whitefellas there for the first time, Canning mob when they were travelling up and down the stock route with the bullock. She was a young girl walking around at Wantili. Big mob of people they been walking around there. They were travelling making the road, Canning and his drovers. They were running away from those whitefellas, watching them from a long distance. She was a teenager when she was travelling around there with her four mothers and one daddy. Her mummy and daddy passed away in Jigalong. They used to travel around in family groups, Bugai and Jakayu (Biljabu), and Jakayu’s nyupa (partner) Phillip Biljabu. They met Kumpaya (Girgaba) coming from Kunkun (Kunawarritji) area.”

Bugai returned to the Wantili area as a young woman, when she worked driving cattle along the Stock Route.

Wantili is a large jurnu (soak) and lyinji (clay pan) near Well 25 on the Canning Stock Route. It lies close to Bugai’s birthplace, and is her ngurra (home country). The area is dominated by claypans surrounded by tuwa (sandhills). Following rain the claypans are filled with water, with the overflow from nearby waterholes flowing to Wantili. At that time, Wantili becomes an important place for obtaining fresh water for drinking and bathing. Wantili is significant for the fact that at this site Kartujarra, Manyjilyjarra, Putujarra and Warnman people would all come together for ceremonies. Many jiwa (stones used by women for grinding seeds) from these times can still be found there today.

Wantili is one of the many sites featured in the epic Minyipuru (Seven Sisters) jukurrpa (dreamtime) narrative. The story follows the movement of seven sisters travelling all the way across the desert, beginning at Roebourne on the coast of Western Australia, as they are pursued by a lusful old man, Yurla. As the women travel they stop to rest at many sites to eat, dance, rest and sing, on the way leaving behind an assortment of articles that become formations in the land.

The Seven Sisters rested at Wantili before throwing seeds, then continuing their journey on to Tiwa, Juntujuntu, and then onward to Pangkapini, where they finally escaped Yurla by flying into the sky to become the Pleaides constellation of stars.

© Photo Aboriginal Signatrure Estrangin Gallery, and text with the courtesy of the Artist and Martumili Arts