Artiste : Robert Fielding (1969)

Titre de l'œuvre : Tjukurpa Miil Miilpa

Format : 152 cm x 122 cm

Provenance et certificat : centre d'art aborigène de Mimili Maku

Référence de cette peinture aborigène : 119-21

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Explications pour cette peinture d'art Aborigène :

Anangu culture has many layers of secrecy. Not all knowledge is to be held by each member of our community, some knowledge is only to be held by few. These paintings are also layered with much secrecy, things we share and things we choose not to share.

Some truths are so strong and important they shine through the veils and complex systems of sacred storylines. These are the foundations of our culture, the sacredness of our land, and the depth of our knowledge.

Like our culture these paintings cover the secret and sacred, whilst celebrating the strong cornerstones of what it is to be Anangu.

Ngurkantananma - Recognise.

Nganampa Manta Miil Miilpa - our land is sacred.

Nganampa Tjukurpa Miil Miilpa - our culture is sacred.

Mimili Community is home to 300 Pitjantjatjara and Yankunytjatjara people who have been living in the area for millennia in harmony with nature and acting as custodians of the land and the Tjukurpa (creation stories). Mimili was formerly known as Everard Park, which was a cattle station that was returned to Aboriginal ownership through the 1981 APY Lands Act. Mimili Community was incorporated as an Aboriginal Community in 1975.

Artiste : Robert Fielding (1969)

Titre de l'œuvre : Ngurkantananma (Recognise)

Format : 198 cm x 152 cm

Provenance et certificat : centre d'art aborigène de Mimili Maku

Référence de cette peinture aborigène : 105-21

Demander le prix de cette œuvre

Explications pour cette peinture d'art Aborigène :

Anangu culture has many layers of secrecy. Not all knowledge is to be held by each member of our community, some knowledge is only to be held by few. These paintings are also layered with much secrecy, things we share and things we choose not to share.

Some truths are so strong and important they shine through the veils and complex systems of sacred storylines. These are the foundations of our culture, the sacredness of our land, and the depth of our knowledge.

Like our culture these paintings cover the secret and sacred, whilst celebrating the strong cornerstones of what it is to be Anangu.

Ngurkantananma - Recognise.

Nganampa Manta Miil Miilpa - our land is sacred.

Nganampa Tjukurpa Miil Miilpa - our culture is sacred.

Mimili Community is home to 300 Pitjantjatjara and Yankunytjatjara people who have been living in the area for millennia in harmony with nature and acting as custodians of the land and the Tjukurpa (creation stories). Mimili was formerly known as Everard Park, which was a cattle station that was returned to Aboriginal ownership through the 1981 APY Lands Act. Mimili Community was incorporated as an Aboriginal Community in 1975.

Artiste : Robert Fielding Punnagka

Titre de l'œuvre : Palawa Pakata Tjukurpa (The flour bucket holds many stories)

Format : 140 x 90 cm

Provenance et certificat : centre d'art aborigène de Mimili Maku Arts

Référence de cette peinture aborigène : 111-17

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Explications pour cette peinture Aborigène :

"The flour bucket holds many stories These objects speak of their life-cycle - cycles of life, death and rebirth. These objects are part of our customs and rituals, both new and old. They tell stories about our struggle, our resilience, our hunger, our sustenance, our survival.

I've used silver to show the power and energy of the country. To show what lies beneath the surface: the culture, the stories, songs and dances. The objects I chose - old, rusted flour buckets - speak of their history, their use, their life-cycle. The land and its energy gives light and life to something long thought dead. Ngura nyangatja wanka ngaranyi (This country is alive)"

Artiste : Robert Fielding Punnagka

Titre de l'œuvre : Mutaka Katalypa (Car Wreck)

Format : 140 x 90 cm

Provenance et certificat : centre d'art aborigène de Mimili Maku Arts

Référence de cette peinture aborigène : 155-17

Vendue

Explications pour cette peinture Aborigène :

Silver Enamel and screenprint on linen
I've used silver to show the power and energy of the country. To show what lies beneath the surface: the culture, the stories, songs and dances.

The objects I chose - old tyres, discarded and forgotten - speak of their history, their use, their life-cycle. The land and its energy gives life to something long thought dead. Ngura nyangatja wanka ngaranyi (This country is alive)

Artiste : Robert Fielding Punnagka

Titre de l'œuvre : Punu Ananyi (travelling tree)

Format : 140 x 90 cm

Provenance et certificat : centre d'art aborigène de Mimili Maku Arts

Référence de cette peinture aborigène : 112-17

Vendue

Explications pour cette peinture Aborigène :

Silver Enamel and screenprint on linen
I've used silver to show the power and energy of the country. To show what lies beneath the surface: the culture, the stories, songs and dances.

The objects I chose - old tyres, discarded and forgotten - speak of their history, their use, their life-cycle. The land and its energy gives life to something long thought dead. Ngura nyangatja wanka ngaranyi (This country is alive)

Artiste : Robert Fielding Punnagka

Titre de l'œuvre : Mutaka Katalypa (Car Wreck)

Format : 140 x 90 cm

Provenance et certificat : centre d'art aborigène de Mimili Maku Arts

Référence de cette peinture aborigène : 156-17

Demander le prix de l'œuvre

Explications pour cette peinture Aborigène :

Silver Enamel and screenprint on linen
I've used silver to show the power and energy of the country. To show what lies beneath the surface: the culture, the stories, songs and dances.

The objects I chose - old tyres, discarded and forgotten - speak of their history, their use, their life-cycle. The land and its energy gives life to something long thought dead. Ngura nyangatja wanka ngaranyi (This country is alive)